“British
composers, lyricists and book writers do exist, and if encouraged,
a new wealth of writing talent could be discovered, and the idea
of a development vehicle and structure for such writers is one
we would wholeheartedly endorse.” Stuart Piper, Agent. Cole Kitchenn Ltd.
During the last two years since the initial set up of Perfect
Pitch it has become increasingly clear that a one-off showcase
is not enough to help new British writers progress their work to
a commercial standard, instead it brings to the surface not only
the potential of many of these pieces but also an indication of
the many future re-writes that may be necessary to create the final
piece.
One of the most successful methods of developing new work is through
workshop opportunities which usually, require rehearsal and performance
space, performers, directors and musical directors and can prove
costly for writers and independent producers. This expense can
slow down or put a premature end to the development of what could
potentially be successful, new British musicals.
The Perfect Pitch Development Network connects Partners (regional
theatres, training establishments, organizations and individuals)
with Writers to help workshop and develop the new works at minimum
cost and at a greater speed.
The Writers, by accepting the invitation to participate in the
network, would agree that a percentage of the royalties they may
accrue in the event of future exploitation, for an agreed period,
would be paid to Perfect Pitch Ltd in order that they can be used
to support the scheme for future works. Those partners within the
network whose resources had been used on that production would
then receive a share of the royalty given to Perfect Pitch on a
pro rata basis, previously agreed, and relative to the ‘in
kind’ or other contribution made in the development of the
piece.
For further details on the financial arrangements see the CASE STUDY
(link below).
This allows each piece to be individual in its development journey
and use only the resources most appropriate to that show. It follows
therefore that the royalty on each piece at the end of the process
may be different, depending upon the number of partner opportunities
it has utilised.
These pieces also become well placed to have productions mounted
in collaboration at any of the venues involved in its prior development
as there follows a natural sense of ownership and a desire to see
the work progress. 2008 sees the Pilot Scheme for the Development
Network begin with two shows from the Perfect Pitch Annual Showcase
2007. As Perfect Pitch gains more Partners and the Network expands
it hopes to be able to offer incredible development opportunities
for New British Musicals.