CASE STUDY
Below is a simple example of how the Development Network can
work to achieve the best end product.
Please note that each musical developed
through the Network is likely to use different partners, have
different amounts spent on its development and may therefore
have different percentages to this example.
In this scenario we are to assume that “THE MUSICAL” is
to be developed using several of the partnership opportunities
previously outlined. Each opportunity is given a contribution
value based on the ‘in kind’ support offered by
the partner plus any financial contribution made to the development
opportunity. In this case, and for example purposes
only, the Development Agreement sees the writer
return an initial percentage of 15% of his royalty back into
the program.
Step 1.
“THE MUSICAL” is workshopped at RSAMD as part of their research
project.
RSAMD offer students, free space and a financial contribution to the Creative
Team.
Perfect Pitch funds travel, accommodation and other creative costs
Value
of RSAMD contribution £2,500*
Value
of Perfect Pitch contribution £1,500
Step 2.
Following rewrites after Step 1, “THE MUSICAL” has
a Rehearsed Reading at the Musical Theatre Academy.
MTA offer students, free space and Musical Director
Perfect Pitch funds creative team and other expenses
Value
of MTA contribution £1,000*
Value
of Perfect Pitch contribution £1,000
Step 3.
“THE MUSICAL” is then workshopped for a week at the Hazlitt Theatre.
Hazlitt supplies free space and a financial contribution to the workshop.
Perfect Pitch funds creative team, professional actors, travel expenses
and other costs.
Value
of Hazlitt contribution £4,000*
Value
of Perfect Pitch contribution £2,000*
Step 4.
“THE MUSICAL” is then presented in the Perfect Pitch West End Showcase.
Perfect Pitch produces the showcase and supports the presentation with
actors, creatives and other resources as appropriate.
Value
of Perfect Pitch contribution £4,000*
At this point “THE SHOW” is far more developed than
it was previously, and £16,000 worth of
development has been spent on the piece. Should the show then
go on to have a commercial production; the following steps would
take place.
Step 5.
In this example, the writer has agreed to give 15% of his/her
earnings for the first 5 years to Perfect Pitch. Within the
5 year period, “THE MUSICAL” is presented on a
commercial tour of regional venues, has a sit-down production
in a regional venue and is presented by several schools and
amateur companies and as a result, the Writer earns royalties
totaling £50,000.
Step 6.
Perfect Pitch receives 15% of this £50,000, totaling £7,500.
Step 7.
Perfect Pitch retains 50% of the income to reinvest in the network
with other shows and distributes the other 50% income pro rata
for all those involved in the development process.
Perfect
Pitch receives £ 3,750
RSAMD receives £ 1,250
MTA receives £ 500
Hazlitt receives £ 2,000
TOTAL £ 7,500
*The value of each contribution will be agreed with each
Partner, and the values shown in this example are for guidance
only.